Camille Rojas

Sothebae’s | 2018 | 16” x 20” | Chromogenic Prints

The Whistler The Whistler
The Whistler
The Whistler
The Whistler
The WhistlerThe Whistler
The Whistler
The Whistler
                           

Debuted at Erin Stump Projects, November 2018

Camille Rojas’ Sothebae’s takes the theatrics of an art auction as its theme. The work examines Rojas’ discomfort with the role of the auction as performance, and its use of handlers as props — people positioned next to artworks, often “for scale.” Through a series of ten photographs, Sothebae’s recreates the scenes of an auction, using parody to place emphasis on the awkward and absurd nature of these conventions. Rojas’ subjects do not pose next to artworks, rather only empty ornamental frames, their limbs contorted to be entwined within it. The habitual, static poses of the handler are taken to an inordinate and humorous level to assess the imbalance of power, labour relations, and class housed in the performance of the art auction.

Thank you:

Ontario Arts Council